Intersubjective Memory In Maïssa Bey’s Entendez-vous Dans Les Montagnes

In Maïssa Bey’s Entendez-vous dans les montagnes (2002), ‘the past is perfomatively regenerated [...] as if it were fully present’, to use LaCapra’s terminology, through the use of the present tense and the impetus of the train journey. What is more, Bey writes herself into her story, using the third person and combining internal reflection (through thought-tracking) and external articulation (through dialogue).